Rapology.org

Christ all-mighty, I’m stumped.  Wax Tailor’s music embodies so many things to gush about that I don’t even know where to begin.  I have to give all the credit to Jason (and dude’s got some street cred, yo) for turning me on to him.

His tracks possess both elements of hip hop and downtempo. I haven’t heard someone do this so well since DJ Cam was at his peak in the late 90s. The music is haunting. It echoes, resonates, churns. He uses a lot of samples from old movies, which only enhance its malefic sound. If they aren’t samples, he constructs them well enough to have me absolutely fooled into thinking they are.

His new album, Hope & Sorrow, is ridden with flirtatious female vocals and a few tracks with great hip hop flow. Although I like it tremendously, I find it a little less varied and original than Tales of the Forgotten Melodies. I’ve posted tracks from both albums for your enjoyment because though they are very different animals, they are both gems.

Hope & Sorrow:
The Man With No Soul
Positively Inclined - ft. ASM & Marina Quaisse
House of Wax - ft. The Others

Tales of the Forgotten Melodies:
Que Sera
Hypnosis Theme - ft Marina Quaisse
How I Feel

Glitch is the perfect marriage of hip hop and breaks. It appeals to me because I’m a jaded old raver turned hip hop fanatic. It satisfies my liking for two genres at once, in a no nonsense sort of way. Glitch is muddy, chunky, sexy and relentless.  It requires a lot of effort from the listener because it’s texture rich, and the landscape of the tracks change a lot. Don’t even bother if you don’t have a good woofer or a good pair of headphones.

There have been two great glitch releases of note in the past month from Modeselektor and edIT.  I heard this genre for the first time at Burning Man in 2006, and lost my head on the dancefloor to a Bassnectar set.  These days, I love listening to it, but it tends to be too slow for me on the dance floor. To my disappointment, Bassnectar has failed to impress me each time I’ve seen him since that night on the playa, even at Burning Man this year.

Another recent release of note is a remix album from Kraddy.  It’s mostly old material, but you get the full tracks, as opposed to snippets of them like in the sets posted to his site. I like him the best of the bunch because his beats tend to be a lot more high energy.

Modeselektor:
Hyper Hyper
The dark side of the sun - ft. puppetmastaz

edIT:
Artsy Remix - ft. The Grouch
Sunshine (Mos Def) - this isn’t new but I thought I’d post it

Kraddy:
The Next Episode (Dr Dre & Snoop Dogg)
Forgot About Dre (Dr Dre & Eminem)

Kraddy also does a great remix of Get Yer Freak On by Missy Elliot. If anyone knows where to find that track unmixed, let me know.

I’ve been meaning to post for a while, but most of the month of August was devoted to preparing for Burning Man. This was my 9th year on the playa, and certainly the best time I’ve had there. Someone set the man on fire during a lunar eclipse Monday night. There were maybe 2k people awake for it and definitely the most intimate burn I’ve experienced. I thought this was the perfect thing to shake up the festival a bit and I hope that BMorg doesn’t try to prosecute to the fullest extent. Depending on what they do, I may or may not go back again. I’ve enjoyed watching the festival evolve over the last decade, and feel that it just keeps getting better.

I have to admit that I was a bit apprehensive about the new Kanye West album after hearing the first few singles and not loving them. Generally, I’ve taken to everything he’s released immediately and love everything he’s produced. Stronger and Can’t tell me Nothin’ were, in my opinion, bad introductions to this album. When I heard them, I was afraid Kanye West had shifted into the category of mastubatory rappers who like to talk about how badass they are.

After giving Graduation a few listens, I love it. I wasn’t stunned like I was with the new Common album the first time through, and there are definitely tracks I don’t like. Regardless, I think kanye west has done it again and pulled of another solid release! My favorite lyric is “Everything I’m not made me everything I am”. It resonates very much with me and where I’m at with my life.

I’m going to focus on his new release in this post, and perhaps do a followup with my favorites from other albums, and the production work he’s done over the years.

Good Morning (intro)
Champion
I Wonder
Homecoming

I heard some early outtakes of Common’s new album several months ago and braced myself for another disappointing release. Once I got my hands on the final cut, I was blown away. Finding Forever is his sexiest and most heartfelt album since One Day It’ll All Make Sense. Each track is soulful and flawlessly arranged. He has evolved as an artist and yet, has returned to his roots to put out his best album in 10 years.

Kanye West contributed greatly to the production of this release. I like that I recognize his production style less on this album than in other works he’s been a part of over the last few years. Perhaps the chipmunk voices phase is finally over (not that I hated it or anything, it just got old). He’s got an album coming out in September, and I can only hope it’s as brilliant as this one.

Finding Forever:
I Want You
Drivin’ Me Wild - featuring Lily Allen
Misunderstood
Forever Begins
So Far To Go - This is actually a J Dilla track, and I enjoy the version that was released on The Shining last year better.

One Day It’ll All Make Sense:
G.O.D.
Retrospect For Life
Stolen Moments Pt. 3

Some other favorites:
The Light
The 6th Sense
Ressurection

Good Copy Bad Copy is a documentary exploring copyright law in the music industry.    In the trailer, you will see clips of interviews with Girltalk and Danger Mouse (two of my favorite producers).   From what I can glean, the crux of the film is that copyright law has a lot of catching up to do with how rapidly music and technology have evolved in recent history. 

Girltalk appears first in the documentary, and is a prime example.  He’s a mashup artists who must sample at least a hundred artists to produce an album.  Clearly he’s not making music to rip off the artists or music industry.  Instead, he’s doing something completely new and innovative that copyright law just wasn’t prepared for.  You can check out his sound in my April post about him.

http://www.goodcopybadcopy.net/

In true pirate style, the movie is available on the website via torrent file for download.  Take that, music industry and hollywood bitches!

I highly encourage you to donate money to the producers of this film.  Without efforts like this, nothing will ever change for the better. You can do that here.

xo,
-e

I grew up on 60s and 70s rock, and have been on a quest to find hip hop tracks that sample classic rock.  I’ve assembled a small playlist, but can’t seem to find much.  One of my alltime favorites is the Grey album, which is a mesh of the Beatles White Album with Jay-Z’s Black Album. 

Of the songs I know, these are my favorites:

Rabbit Hole - Living Legends (Jefferson Airplane, White Rabbit)
Hip Hop Is Dead - Nas (Iron Butterfly, Inagaddadavida)
Public Service Announcement Jay-Z/Dangermouse (The Beatles, Long Long Long)

I’d love to hear from anyone who knows of more like this!

Many of you may know of Will.i.am from the Black Eyes Peas. Discovering that he produced my two favorite tracks on the new talib kweli album motivated me to do some research into his other work. You can download both of those tracks, Say Something and Hot Thing, from my Talib Kweli post on June 28th. His impressive portfolio also includes work with Nas, Common, Lupe Fiasco, John Legend, Macy Gray, Amerie and Rihanna. I’m saving the Nas track “hip hop is dead” for another post I’ve got in the works.

A Dream - common
Colors - common
Gotta Work - amerie
Save Room - john legend

I’ve been a fan of the Black Eyed Peas since Elephunk was released, and after listening to will.i.am’s other production work, I’ve realized how instrumental he has been in developing their sound. I’m in awe of his talent.

Some of my favorite Black Eyed Peas tracks:

Hands Up
Like That
Weekends

I was recently turned on to Ill Doctrine, a video blog by Jay Smooth. He’s very humorous and insightful in his crituque of hip hop culture. I highly recommend checking it out!

On the subject of videos, this is hilarious.

There is more hip hop on the way soon.  I’ve got a post about the Beatnuts, one of my favorite artists, in the cue for you!

OK.  Settle down Erin.  Deep breaths. 

Holy mother of god the new Talib Kweli album is good!  I need some time to assess it as a whole, but ya’ll have got to hear the goods now. It can’t wait another minute. this is the real thing. this is hip hop. 

Say Something - ft Jean Grae
Niggas Lie Alot
Listen - This was released as a single last summer
Hot Thing

Murs is a natural born MC out of Mid-City, Los Angeles. I have several of his releases in my collection, but have only become intimately familiar with 3:16, the album he did with producer 9th Wonder. Aside from seven full length albums, he has also collaborated with artists such as El-P, Aesop Rock, Little Brother, Z-Trip and People Under the Stairs.

Since I haven’t spent a lot of time listening to Murs yet, I can’t give you a good description of his style. What I can tell you thus far is that he is a clever comic, and genuine in his lyric.  Murs ain’t fuckin’ around, yo.

You & I - stellar track from The End of the Beginning

Bad Man - from Murs & 9th Wonder: 3:16, the 9th Edition